Cusp. reflects on the emotional landscape of fertility. A place where hope, uncertainty, anticipation, and time can be experienced on a cyclical loop. For some, this time maybe fleeting; for others, it stretches across years, while some are ultimately carried beyond it by circumstance rather than choice. It becomes a liminal space between longing and becoming. A place without walls or certainty.

The suspended ceramic form represents this state of waiting. An often private space that can consume one. Its unglazed white finish responds to ideas of absence and emptiness. 

The installation is structured through time. The suspended forms correspond to the days of the menstrual cycle, acknowledging its repetitive rhythm of hope, expectation, and disappointment. In the largest of the installation there are 266 pieces, which is the average number of days from conception to birth. These installations use biological time to make visible the often unseen experience of longing, waiting, and becoming.